Natalie Wilkin is a multidisciplinary artist whose practice is an ongoing inquiry into the thresholds between the human body, the natural world, and deeper resonances that shape consciousness. Her works emerge from immersive, embodied processes, where environments and objects act as collaborators—sites where ritual-gesture and materiality converge.
Garments and sculptural objects operate as conduits—artefacts of inhabiting and attuning to altered states of perception. Through these, Wilkin investigates how body, material, and landscape entwine to unsettle the boundaries between the visible and concealed. Her practice is a continual act of world-making, where the creative impulse is both portal and process, guiding the viewer toward resonance with elemental forces that are deeply felt yet resist capture or containment.
Natalie has exhibited in solo and group shows across America and Australia. Her career includes a three-year residency at Mildred’s Lane, an art project led by J. Morgan Puett and Mark Dion. During this residency, her work was showcased in major exhibitions at the School of the Art Institute of Chicago (SAIC) and the Museum of Modern Art (MoMA) in New York City.
Clarence Valley
